The Importance of Being Earnest 1952 Movie Review Ny Times
| The Importance of Being Earnest | |
|---|---|
 Criterion Collection DVD comprehend | |
| Directed by | Anthony Asquith |
| Screenplay past | Anthony Asquith |
| Based on | The Importance of Being Hostage by Oscar Wilde |
| Produced by |
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| Starring |
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| Cinematography | Desmond Dickinson |
| Edited by | John D. Guthridge |
| Music by | Benjamin Frankel |
| Color process | Technicolor |
| Production | Javelin Films |
| Distributed by |
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| Release dates |
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| Running time | 95 minutes |
| State | United Kingdom |
| Language | English |
| Box office | £139,000[i] |
The Importance of Existence Hostage is a 1952 British comedy-drama film accommodation of the 1895 play by Oscar Wilde.[2] It was directed past Anthony Asquith, who too adapted the screenplay, and was produced by Anthony Asquith, Teddy Baird, and Earl St. John.[3]
Plot [edit]
The story takes place on February fourteen, 1895. It is almost two gentlemen pretending to be people other than themselves. Interwoven in their storylines are ii romance-stricken ladies, each possessing an unusual allegiance to the manliness of the name Ernest. London human being-about-boondocks Jack Worthing, who hides behind the name Ernest, is an blueblood from the country with uncertain lineage. His friend, Algernon Moncrieff, is of moderate means and has also created an imaginary character, Bunbury. Algernon's cousin, Gwendolen Fairfax, has defenseless the eye of Jack. Jack'south ward in the state, Cecily Cardew, has caught the eye of Algernon. Lady Bracknell rules the roost with her heavy-handed social mores.
The story begins in London. Jack and Algy are discussing life and dearest. Both reveal to each other their imaginary characters, Ernest and Bunbury. Jack reveals that he is in love with Algy'southward cousin, Gwendolen, and Algy reveals that he is in honey with Jack'south ward, Cecily. Both gentlemen begin to scheme the pursuit of their love. At tea that afternoon, Jack and Gwendolen secretly reveal their love for one another. Gwendolen makes information technology known that her "platonic has always been to dearest someone by the proper name of Ernest." Jack fears she will find out his true identity. Lady Bracknell inquires every bit to Jack'southward full-blooded. Jack confesses that he does not know who his parents are considering, as a baby, he was found in a handbag in a cloakroom at Victoria Station. Lady Bracknell will not allow her daughter "—a daughter brought upward with the utmost care—to marry into a cloak-room, and form an brotherhood with a parcel."
At the manor firm in the country, Cecily is daydreaming as her governess, Miss Prism, tries to teach her German. Uninvited, Algy arrives from London and assumes the part of Ernest. While Algy and Cecily are getting acquainted with the parlor, Jack arrives in blackness mourning clothes and informs Miss Prism that his blood brother, Ernest, is expressionless. When Algy and Cecily come out to see him, the distressing news loses its believability every bit everyone now thinks Algy is Ernest. In pursuit of Jack, Gwendolen arrives from London and meets Cecily. They both observe that they are engaged to Ernest, non realizing i is Jack and ane is Algy. When the men arrive in the garden, the confusion is cleared upward. The ladies are put off that neither one is engaged to someone named Ernest.
Lady Bracknell arrives, by train. As anybody gathers in the parlor, Lady Bracknell recognizes Miss Prism as her late sis's infant'due south governess from twenty-eight years before. Miss Prism confesses that she inadvertently left the baby in her handbag at Victoria Station. Jack realized they are talking almost him. He retrieves the handbag from his private room and shows Miss Prism. She acknowledges that the bag is hers. Lady Bracknell then tells Jack that he is her belatedly sister'southward son and the older blood brother to Algy. Unable to define who his male parent was, Jack looks in an Army journal, as his begetter was a general, and realizes that his male parent's name was Ernest. Thus information technology becomes apparent that his real proper name is also Ernest – equally Lady Bracknell says, being the eldest son, he must accept been named later on his male parent.
The film ends with Jack saying, "I've at present realized for the first time in my life the vital importance of being earnest."
Cast [edit]
- Michael Redgrave every bit John (Jack) Worthing
- Michael Denison as Algernon Moncrieff
- Edith Evans equally Lady Bracknell
- Joan Greenwood equally Gwendolen Fairfax
- Margaret Rutherford equally Miss Prism
- Miles Malleson as Canon Chasuble
- Dorothy Tutin as Cecily Cardew
- Aubrey Mather as Merriman
- Walter Hudd as Lane
- Richard Wattis as Seton
Adaptation [edit]
The film is largely faithful to Wilde'south text, although it divides some of the acts into shorter scenes in different locations. Edith Evans's outraged delivery of the line "A handbag?" has go legendary.[4] As role player Ian McKellen has written, it is a performance "and then acclaimed and strongly remembered that it inhibits audiences and actors years later", providing a challenge for anyone else taking on the office of Lady Bracknell.[5]
The film is noted for its acting, although the parts played by Redgrave and Denison called for actors ten years younger. Margaret Rutherford, who plays Miss Prism in this adaptation, played Lady Bracknell in the 1946 BBC production.[six]
The film was a favourite of singer songwriter and lead singer of Queen, Freddie Mercury. Mercury and director David Mallet used the opening of the film as inspiration for the music video to accompany the song Made In Heaven from his the solo album Mr. Bad Guy.
Reception [edit]
A. H. Weiler called the casting of Dame Edith Evans in the part of Lady Bracknell "true genius".[7]
Awards and nominations [edit]
The film received a BAFTA nomination for Dorothy Tutin every bit Almost Promising Newcomer and a Golden King of beasts nomination for Anthony Asquith at the Venice Film Festival.[8]
See also [edit]
- The Importance of Existence Earnest (original play by Oscar Wilde)
- The Importance of Being Earnest (2002 motion picture version)
References [edit]
- ^ BFI Collections: Michael Balcon Papers H3 reprinted in British Movie house of the 1950s: The Refuse of Deference By Sue Harper, Vincent Porter p 41
- ^ "The Importance of Being Earnest (1952) - Anthony Asquith - Cast and Crew". AllMovie.
- ^ "The Importance of Being Earnest (1952)". BFI.
- ^ Dennis, Charles. "The Importance of Being Hostage". The Criterion Collection.
- ^ McKellen, Ian (13 April 1975). "On The Examination of Time". The Observer Magazine. London: Astor family unit – via mckellen.com.
- ^ "The Importance of Being Hostage (1946)". BFI.
- ^ Weiler, A., "Oscar Wilde Contributes to Film Fare", The New York Times, December 23, 1952
- ^ "BAFTA Awards". awards.bafta.org.
Bibliography [edit]
- The Not bad British Films, pp 156–158, Jerry Vermilye, 1978, Citadel Printing, ISBN 0-8065-0661-X
- Street, Sarah. British National Cinema. UK:Routledge 1997. Print.
External links [edit]
- The Importance of Being Hostage at AllMovie
- The Importance of Being Hostage at the British Film Institute
- The Importance of Existence Earnest at IMDb
- The Importance of Existence Earnest at Rotten Tomatoes
- The Importance of Existence Earnest at the BFI's Screenonline
Source: https://en.wikipedia.org/wiki/The_Importance_of_Being_Earnest_%281952_film%29
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